I NOSTRI ANNI MIGLIORI

Five young people from Tunisia that the directors have met in Manduria, Mineo and Palazzo San Gervasio tell the revolution and their departure from Tunisia. In the meantime, the Italian media indulge the rhetoric of the Lega Nord, creating a whole imaginary that compares the arrival of refugees with an invasion. Theirs are the best years: those of a generation of young people who have been denied freedom for too long, but who have decided to regain it once and for all.