The role of audiovisual equipment as promoter of social change.

Which are the political and social challenges for those who work with audiovisual equipment? How can one realize a cultural scheduling that pays attention not only to languages and aesthetics, but also to the subjects (contents) and transformative skills of art? How can one engage urban areas in order to make citizens feel like main characters and not just recipients? Around these questions Italian and foreign film directors, photographers, festival promoters and social entertainers will confront each other: Cinemigrante from Buenos Aires, Zalab from Roma, Film Flamme from Marsiglia and Il Piccolo Cinema from Turin.